Open your own writer channel
Give the work a place readers can return to for new live sessions.
THE PARIS REVIEW LIVE
For decades, The Paris Review has asked writers how they write. LIVE lets readers watch them do it.
Writers share the writing window they choose, talk through their thinking if they want to, and respond to live comments as the work takes shape.
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01 / FOR WRITERS
A permanent place for drafts, edits, research, decisions and false starts - while building a direct audience around the work in progress.
Give the work a place readers can return to for new live sessions.
Let readers see a real draft take shape rather than only the polished result.
Run a free channel or charge a monthly subscription for the access you choose.
Not an AI detector. A visible record of the creative process behind the words.
02 / SUBSCRIPTIONS
Writer channels can be free or paid. Readers follow the work over time and support the writer while it is being made.
FOR READERS
Discover writers, follow free channels or subscribe monthly to writers whose work you want to see develop over time.
Explore writer channels03 / A NATURAL EXTENSION
The Paris Review is already synonymous with conversations about how writers work.
LIVE adds the missing layer: readers do not just hear writers explain the process afterwards - they can watch the process itself.
04 / FOR READERS
Readers get a view they rarely see: the decisions, revisions, breakthroughs and dead ends behind the finished work.
Discover writers and projects while the work is still taking shape.
Watch writers draft, edit, research and solve problems in real time.
Comment while the writer works and hear them talk through decisions if they choose.
Follow free channels or subscribe monthly to individual writers.
05 / HOW IT WORKS
Writers create channels and choose what to share. Readers discover those channels, watch live and subscribe for continued access.
Add your name, genre and project, then choose free or paid access.
Select a document, browser window or writing app. The rest of the desktop stays private.
Draft, edit or research while readers watch the work change in real time.
Readers follow free channels or subscribe for the access each writer chooses.
WHAT LIVE LOOKS LIKE
No studio. No camera required. The writer shares the chosen writing window and readers watch the work change in real time.
Open the live platformHe had been revising the sentence for twenty minutes and had succeeded only in making it more accurate and less alive.
So he restored the first version, crossed out one adjective, and decided the paragraph could be allowed to breathe.
Outside, the afternoon continued without requiring anything from him.
AI detection asks whether writing looks human. GAWP® lets people witness the human work behind it.
06 / HOW IT CAN CONNECT
A book could be watched while it is being written on The Paris Review LIVE, later discussed or featured by The Paris Review, and bought when reader interest is at its highest.
Readers already come to The Paris Review for fiction, poetry, interviews and literary culture.
LIVE adds somewhere to watch writers creating the work itself.
Writer channels can link current books, backlist and forthcoming releases directly.
The journey does not have to be linear. Readers can discover a writer at any stage - through an interview, a live session or a finished book - and move between the work, the writer and the books that interest them.
07 / FAQ
Each writer can choose a free channel or a paid monthly channel, depending on the access they want to offer readers.
No. The core experience is the writing itself. Writers can simply share the chosen writing window, with optional audio.
The writer chooses what to share, when to go live and whether the channel is free or paid.
Yes. Writers can respond to live comments while they work, creating a direct conversation around the writing process.
Yes. Writer channels can link to current books, backlist and forthcoming releases so readers can move directly from the live work to published books.
The Paris Review LIVE is powered by GAWP®, the underlying live-writing technology.
THE PARIS REVIEW LIVE